Revealing Insights from Philip Gefter’s Latest Book Unraveling the Making of “Who’s Afraid of Virginia Woolf?”
Apr
In his latest book titled “Cocktails with George and Martha,” Philip Gefter delves into the captivating behind-the-scenes stories of the iconic film “Who’s Afraid of Virginia Woolf?” Starring Elizabeth Taylor and Richard Burton, the movie adaptation of Edward Albee’s acclaimed play was not without its drama, both on and off-screen.
Gefter’s narrative unveils intimate details about the intricate dynamics between director Mike Nichols and screenwriter-producer Ernest Lehman, shedding light on the challenges they faced in bringing the turbulent marriage of Martha and George to life.
Despite encountering numerous hurdles, the film soared to prominence, garnering an impressive 13 Oscar nominations and clinching several awards, including Best Actress for Taylor and Best Supporting Actress for Sandy Dennis.
Among the fascinating revelations shared by Gefter is the revelation of Hollywood stars who were almost cast in pivotal roles. Katharine Hepburn and Henry Fonda were considered for parts, but circumstances led to their eventual exclusion. Interestingly, Taylor and Burton wielded significant influence over casting decisions, resulting in Robert Redford declining a role due to ethical concerns.
Furthermore, Gefter discloses Warner Bros.’ initial preference for Bette Davis to portray Martha, a choice that Davis herself lamented upon Taylor’s casting. Despite reservations from various quarters, Taylor and Burton’s captivating performances brought Martha and George to life in ways that left an indelible mark on cinematic history.
Another intriguing tidbit revealed by Gefter is the contention over the film’s color scheme. While the studio advocated for a color rendition, Nichols and Lehman adamantly championed for the film to remain in black and white, ultimately prevailing in their vision.
Additionally, Gefter provides insights into the tumultuous relationship between Taylor and Burton, which often spilled onto the set, adding layers of intensity to their performances. Taylor herself described the experience as “cathartic,” channeling their real-life dynamics into their on-screen personas.
Amidst the chaos, Gefter highlights moments of levity, such as the exchange of eccentric gifts between the production team and the Burtons, including a peculiar 500 lb. taxidermied moose head that became an amusing inside joke.
In “Cocktails with George and Martha,” Gefter masterfully weaves together a compelling narrative that peels back the layers of Hollywood glamour to reveal the raw emotions and intricate machinations that culminated in the creation of a cinematic masterpiece.
